COPYRIGHT JESSICA WINDER 2013
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I like the appearance of rust and I’m always looking out for interesting colours, patterns, and textures in oxidising iron. A good place to look is the metalwork on seaside groynes and piers which are invariably corroded by seawater. I find it amazing that small seaside creatures like limpets settle in these seemingly inhospitable locations where they eek out a living by grazing the microscopic algae that coat the surfaces. In their turn, as the limpets cling on to these man-made objects, the shells become stained by the orange of the rust and the green of the algae so that they blend into the overall constantly evolving design.
COPYRIGHT JESSICA WINDER 2013
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Colours, textures, abstract patterns – the rusty iron wreck at Ringstead Bay has it all. Fascinating to observe from visit to visit as it shifts, breaks up, changes. These rapidly corroding remains have lain on the shingle beach for years but I have failed in finding out anything about them.
Revision of a post first published 24 October 2009
COPYRIGHT JESSICA WINDER 2011
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Although man-made iron structures are not themselves natural in the same way as in plants, animals, rocks, fossils and minerals – they are subject to weathering and decomposition processes which are naturally occurring phenomena.
At the seaside, iron constructions like piers are particularly vulnerable to rusting or oxidation because of their exposure to waves and salty sea air. The results of weathering and erosion can be surprisingly colourful with interesting patterns and textures. Most people think of rust as being just orange in colour but, in fact, it can show all the colours of the rainbow. In mineralogy galleries of museums it is possible to see lumps of haematite ore, from which iron is derived, that exhibit an intensely hued iridescence.
COPYRIGHT JESSICA WINDER 2011
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Barnacles (and a few limpets) growing on the multi-coloured and highly textured surface of rusty ironwork on a British seaside pier. I like the wide range of rust colours from dark blue to light orange and how they are distributed over the surface in a random way resembling a piece of bright abtract art; and the way that the acorn barnacles have become stained and incorporated into the natural design.
COPYRIGHT JESSICA WINDER 2011
All Rights Reserved